Music, Dance, Food and Yoga
Fusion Music
The history of collaboration between Indian and Western musicians dates to the 1960s, when Ravi Shankar first started playing alongside Western musicians. Ravi Shankar was present at the music extravaganza known as "Woodstock". In subsequent years, the sarod maestro, Ali Akbar Khan, and the tabla maestro, Alla Rakha, the father of Zakir Hussain, also worked with Western musicians. Other successful collaborations over the years have been between Ravi Shankar and Philip Glass, Ustad Sultan Khan (on the sarangi) and Marco Guinar (on he Spanish guitar), and Vishwa Mohan Bhatt and Ry Cooder.
From: sscnet.ucla.edu
In the late 1970s and early 1980s, rock and roll fusions with Indian music were well-known throughout Europe and North America. Ali Akbar Khan's 1955 performance in the United States was perhaps the beginning of this trend, which was soon centred around Ravi Shankar.
In 1962, Shankar and Bud Shank, a jazz musician, released Improvisations and Theme From Pather Pachali and began fusing jazz with Indian traditions. Other jazz pioneers such as John Coltrane—who recorded a composition entitled 'India' during the November 1961 sessions for his album Live At The Village Vanguard (the track was not released until 1963 on Coltrane's album Impressions)—also embraced this fusion. George Harrison (of the Beatles) played the sitar, which he had learned from Shankar, on the song "Norwegian Wood" in 1965. Jazz innovator Miles Davis recorded and performed with musicians like Khalil Balakrishna, Bihari Sharma, and Badal Roy in his post-1968 electric ensembles. Other Western artists like the Grateful Dead, Incredible String Band, the Rolling Stones, the Move and Traffic soon incorporated Indian influences and instruments, and added Indian performers.
Guitarist (and former Miles Davis associate) John McLaughlin experimented with Indian music elements in his electric jazz-rock fusion group The Mahavishnu Orchestra, and pursued this with greater authenticity in the mid-1970s when he collaborated with L. Shankar, Zakir Hussain and others in the acoustic ensemble Shakti.
Though the Indian music craze soon died down among mainstream audiences, diehard fans and immigrants continued the fusion. In the late 1980s, Indian-British artists fused Indian and Western traditions to make the Asian Underground.
In the new millennium, American hip-hop has featured Indian Filmi and Bhangra. Mainstream hip-hop artists have sampled songs from Bollywood movies and have collaborated with Indian artists. Examples include Timbaland's "Indian Flute", Erick Sermon and Redman's "React", Slum Village's "Disco", and Truth Hurts' hit song "Addictive", which sampled a Lata Mangeshkar song, and the Black Eyed Peas sampled Asha Bhosle's song "Yeh Mera Dil" in their hit single "Don't Phunk With My Heart". In 1997, the British band Cornershop paid tribute to Asha Bhosle with their song Brimful of Asha, which became an international hit. British-born Indian artist Panjabi MC also had a Bhangra hit in the U.S. with "Mundian To Bach Ke" which featured rapper Jay-Z. Asian Dub Foundation are not huge mainstream stars, but their politically-charged rap and punk rock influenced sound has a multi-racial audience in their native UK.
From: Wikipedia.com
