Music, Dance, Food and Yoga
Music, Dance, Food and Yoga
Harmonium
During the mid-19th century missionaries brought French-made hand-pumped harmoniums to India. The instrument quickly became popular there: it was portable, reliable and easy to learn. Its popularity has stayed intact to the present day, and the harmonium remains an important instrument in many genres of Indian music. It is commonly found in Indian homes. Though derived from the designs developed in France, the harmonium was developed further in India in unique ways, such as the addition of drone stops and a scale changing mechanism.
In Kolkata, Dwarkanath Ghose of the renowned Dwarkin was adept in modifying musical instruments as per individual needs of users and is particularly remembered for modifying the imported harmony flute and producing the hand held harmonium, which has subsequently become an integral part of the Indian music scenario.[1] Dwijendranath Tagore is credited with having used the imported instrument in 1860 in his private theatre, but it was probably a pedalled instrument which was cumbersome, or it was possibly some variation of the reed organ. Initially, it aroused curiosity but gradually people started playing it[2] and Ghose took the initiative to modify it.[1] It was in response to the Indian needs that the hand-held harmonium was introduced. All Indian musical instruments are played with the musician sitting on the floor or on a stage, behind the instrument or holding it in his hands. In that era, Indian homes did not use tables and chairs.[1]
The harmonium is essentially an alien instrument to the Indian tradition, as it cannot mimic the voice, which is considered the basis of all Indian music. Meend (glissando), an integral part of any classical recitation is not possible on the harmonium, and as such, one cannot faithfully reproduce the subtle nuances of a raga on this instrument. The harmonium is thus despised by many connoisseurs of Indian music, who prefer the more authentic yet more technical sarangi, in accompanying khyal singing.
A popular usage is by followers of various Hindu and Sikh faiths, who use it in the devotional singing of prayers, called bhajan or kirtan. There will be at least one harmonium in any mandir (Hindu temple) or gurdwara (Sikh temple) around the world. The harmonium is also commonly accompanied by the tabla. To Sikhs the harmonium is known as the vaja/baja. It is also referred to as a "Peti" ( A loose reference to a "Box") in some parts of North India and Maharashtra.
It also forms an integral part of the Qawwali repertoire, as many Qawwals use a harmonium when performing Qawwalis. It has received international fame as the genre of Qawwali music has been popularized by renowned musicians such as Nusrat Fateh Ali Khan and Aziz Mian.
From: Wikipedia.com